Photo Editing – Yay or Nay?

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Remember, not everything is a picture. A good eye can edit before the shutter opens. — Craig Coverdale


The conversation has come up again!

First I would like to apologize for my lack of work lately. I’ve been terribly uninspired and just couldn’t find anything to speak about.

Photo Editing – Yay or Nay?

“In a photography group I’m a member of, someone posted an opinion.

This person first makes it clear that they are a beginner. Then this person goes on to say that photo editing is not for them and looses the idea of what a photograph is, changing it to digital art”.

It’s not a word for word quote and I tried to get the essence of what this person is saying. You know all the bad Press lately of editing and the mistakes that has come to light.

Now the answers to this person were very calm and the posters actually tried to explain the necessity of why Photo Editing is used.

Granted I can understand this person’s idea of not wanting to corrupt the original photograph. If we also include the purists of shooting and getting it right in camera, it then looks like editing is made out to be a crutch or savior!

Now let’s get something out of the way to clear the air. Digital Artist’s are an amazing group of highly talented and creative people. There are several areas on the Net that showcase this kind of Art. They happen to use similar tools as us for their vision.

I’m speaking about Photography and Photo Editing, not including transplanting one’s head on another’s body.

Let’s talk about what happens when we depress the shutter as we attempt to capture an image. I’ll try to keep it simple to avoid this from becoming a text book.

When the shutter opens the Sensor is exposed to the light in the scene.

The light sensitive areas on the sensor are triggered and this information goes to the onboard computer to be analyzed and categorized in its algorithm. Landscape, Portrait and so on. If you have the adjustments in the menu’s set for any specific altering areas on the image they are probably added here. Clarity, Contrast, Focusing and any other enhancements you might decide.

These adjustments are made and were created by some Lab Tech in a white coat in a programming room making decisions on what they think your Art should look like. Look it’s not all bad and good for the majority of those who don’t care. Others like me want complete control and don’t appreciate someone half a world away making artistic decisions on my “Vision’s”!

Your image is then put through an algorithm if it’s for a JPG image.

Repeating information from the image like the areas in a Sky of blue or included white clouds. These bits of information are then removed from the image, then the image is compressed into its JPG state and saved onto the Memory Card. As much as 83% – 85% of the details of your image can be discarded in this process.

This is one of the many reasons some of us shoot in the Raw Format.

I refuse to let a complete stranger let alone a computer programmer make creative decisions on my Art. Also it’s my image and those pixels give me the ability to work the image as my creative mind sees fit.

Throwing out my details? Nope!

Running my images in your Algorithms for identification and Categories? Nope!

Oh wait what did I just describe going on here? A simple form of adjustments to your image. Guess What people, these are in the simplest terms called photo editing. Automated yes but still Photo Editing.

So the Purists who say they don’t edit there images? Those images are already edited!

The Raw Image can Not be uploaded onto the Net for viewing. They must be converted into a JPG image before hand so we the viewer can look at them. Guess what? That conversion is also Photo Editing.

So now we have a basic image saved in the Raw Format. Flat, lifeless and now needs to be edited to bring this image to life that we first saw when we depressed the shutter.

To just add, None of the Menu Creative adjustments on the images work or affect the Raw Image. No information is deleted or discarded. This is why the Raw file is soo much larger than the jpg image file.

The built in meter can be fooled by lighting and shadows. The sensor has a limitation in the very bright light areas and can loose details. This is what we call “Blown Out”. We compensate for this by adjusting the exposure to prevent loss of details in these blown out areas. We’ve all seen these images shared on the Net. Background perfectly exposed but the main subject is either too dark or too light! Or the opposite happens. The main subject is perfectly exposed and the background or foreground is exposed wrong by either too dark or too light. Photo Editing can possibly help.

What about poor lighting or even a mistake by the Sensor for overall color balance or contrast? Maybe the White Balance in the image needs to be corrected. How do we do this? Photo Editing of course.

Photo Editing tools give us a way of both correcting and or enhancing our images. Do we have to do this? Of course not. The tools and techniques are there at our disposal. Is this wrong? That depends on how they are used. Lately in the News there has been a number of situations where “Oh No! That image was retouched”! How dare they! LOL

An Artist who works in either oil or some other medium that needs to be applied to a canvas, parchment or paper has several methods available. They have brushes, many different kinds. They have knives or blades that can apply the medium by its edges. Strokes of the Artist’s hands or fingers given different techniques get different results. Charcoal, Pen and Ink, Color Pencils and so on. All have different tools and methods available to make the results look the way the Artist envisioned in the minds eye.

These are Tools that can be used when needed at the Artists disposal.

What would happen if you inform an Artist that they can no longer use some of these tools? At first it sounds like a good exercise to further one’s ability. Look at any painting! Do you ask what was used to acquire a certain look in a certain part of the painting?

Hmmmm OK let’s take this a bit further. In the days before Digital we had to develop the film first. Then when we get the film back from the darkroom we take these to be printed. Where you might ask? Back in the Darkroom.

You see creating an image in Photography was always a multiple part process. We shoot the film, then develop the negatives, and then finally printing these images by manipulating the light to enhance the final product.

Today we still have a darkroom but now it’s on our Computers. The Digital Darkroom.

Have a Great Weekend

Mark

Fog

#nikon, Art, Digital Photography, Education, Gear, Google Nik Collection, Inspiration, Ireland, Landscapes, Travel

Friday April 30th, 2021

Two factors thus emerge as requisites of success in the field of creative photography. First, the subject must be photogenic. Second, its re-creation in a photograph must be based upon technical knowledge, guided and supported by artsitic inspiration. —- Andreas Feininger – “Feininger on Photography” by Ziff-Davis, 1949


The last day of April! It’s like we’ve been living in a Fog the past fourteen months. We have to accept that we are living in the new normal. The scary part is there are those whom are still refusing to take precautions. We hear and see it all over the Net that the biggest denials end up catching the plague then are trying to warn others. It’s too late for them. Refusing to be vaccinated or even wearing masks people are being stubborn. OK rant over…

A Photographer and Model Group I am a member of on Facebook has a new Tag for this week. #Fog

I’ve never had the opportunity to take anyone out to try shooting in Fog. This is the closest I have. A Flashback Friday.. from a trip to Ireland several years back.

In Honor . . .

Art, BW, Digital Photography, Education, Google Nik Collection, Inspiration, Ireland, Landscapes, Travel

Friday December 4th, 2020

In the darkroom, the most unique thing I do is selective masking, a technique I have refined over the years. – Alan Ross – in B&W Magazine.

This past week was Alan Ross’s Birthday! Out of all the talented people I’ve spoken to, Alan is one of the most interesting and knowledgeable in our world of Photography.

I’m going to copy a quote from his page:



Alan Ross is a renowned photographer whose unique vision combines traditional photographic methods with today’s technology.

He worked side-by-side with Ansel Adams as his photographic assistant, and was personally selected by Ansel to print his Yosemite Special Edition negatives.

Alan is a sought-after teacher who inspires professionals and amateurs to prepare their minds for the moment when light, beauty and chance, define opportunity.


Here is the link to his page: alanrossphotography.com

As a student of photography I’ve studied the works and history of several of those that have come before us. Mr Adams name has an everlasting effect for everything we do, especially in the hunt for knowledge and better quality. On top of his obsession for better quality Mr Adams always had an open mind to play with new equipment that became available.

Mr Ross has the unique experience of being part of Mr Adams world and his insight of influence and inspiration.

I highly recommend that you dear reader perform your own research into both Mr Ross and Mr Adams. Mr Ross is still inspiring and encouraging those who are new to the art of photography.

I am sharing an image that I had created a few years back during an adventure in Ireland. Once I came upon this scene before me, my mind instantly thought of everything I’ve read from the Inspiration of both of these Gentlemen.

Have a Great Weekend!

The Blacksmith a Study in Light

#nikon, Art, Digital Photography, Education, Gear, Google Nik Collection, Inspiration, interiors, Ireland, Travel

Friday September 11, 2020

There is still a misunderstanding on the subject of the straight print, as opposed to the modified print. Some champions of pure photography, as it is called, will even deny that a modified print is a photograph at all. For my part, I believe that if the X deposit forming an image is built up by the action of light, under the shadow of another image, transparent, and also due to light action, the result must be a photograph, whatever modifications the photographer has thought proper to introduce amongst the relative proportions of the deposit. — Robert Demachy – Camera Work 18, 1907. [cited in: Alfred Stieglitz “Camera Work (The Complete Illustrations 1903 – 1917)”

Big difference since that day! New York was under attack… and the collective world held it’s collective breath.

Why? Because New York has always had a reputation for acceptance and is always considered a melting pot of diversity. Every Or Almost Every single Country in the World lost people that fateful day.

Now? It’s just Not New York, the World is under attack by a Virus! In the United States alone I had heard we might have topped over or close to 190,000 Dead?

We All need someone to step forward to take charge to Unite the people and make everyone understand that by not listening and following the Scientific Guidelines this wont go away anytime soon.

End of Rant


It has come to my attention that an Absolutely wonderful place has reopened to the public in Ireland. A park that is dedicated to the diversity and acceptance of The United States as it used to be. The Ulster American Folk Park.

We were there a few years back and on Facebook yesterday they showed an image featuring the Anvil from the Blacksmiths Shop!

The Blacksmith

The Blacksmith Shop

Ulster American Folk Park

#not4wood, #theworldthroughmylens, #ulsteramericanfolkpark, #travelphotography, #travelphotographyireland, #travelireland, #nikond700

Art in Education!

Art, Digital Photography, Education, Inspiration, Portraits, Sports, Travel, Wildlife

Friday Nite Photography Quote:

Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality. It is or should be a significant document, a penetrating statement, which can be described in a very simple term – selectivity. 
Berenice Abbottin “Infinity” magazine, 1951.

 

Art Photography 101

Like I had mentioned last week. A Photograph should draw you in. Lead the eyes of the observer into and thru the photograph. Capturing the imagination and the mind along the way. Whether it be an abstract, landscape, picture of an animal in the wild or a magnificent Portrait.

Basics to Basics
How do we get a proper exposure? I want to recommend the book called “Understanding Exposure” by Bryan Peterson. Here’s a Link for it:
Understanding Exposure

Bryan explains everything that needs to be said in a very understandable way. I always recommend this book for the Beginner.
Are you pictures dark or blurry? Can you just barely make out who or what is in your picture? Then whether you know it or not. Your Images are Not What they should be and can be better. All you need to do is spend a few minutes of your time “Learning Proper Exposure”. Are your Pictures blurry? It’s probably Not your focus. It’s because your Camera being in Full Auto Mode saw that it was dark and slowed your Shutter Speed to such a point that you can No Longer Hold Your Camera without shaking it. Giving you a very blurry image………….

Think about it? Your New Camera! Your Old from last year Camera? Your Cell Phone? or What Ever you do. What Ever it is?
It’s On Full Auto isn’t it? Well Isn’t it?
Your modern Day 21st Century Camera isn’t as smart as you think it is. Yeah, it’s very Smart. But it doesn’t know what your thinking. Like everything else in life. It is Your Responsibility to make at least a small effort to tell the camera what you want it to do.
For the General picture that doesn’t have anything difficult yeah. Your camera is OK!! But make it a bit difficult in the Lighting or subject where your background is a Lot different than your subject? Your picture Will NOT be exactly what you expected!

Next Week I will start talking about Photographic Composition.

If you have any questions post your questions here so others can learn as well as you. Let me say from this point I am a Photographer. I am NOT a Camera Salesman! I can Help you figure out what you need to do. But I Do Not Know Every Single Camera Out There!!
If and When I Purchase a Camera. I make it my business to then start to do research and try to learn what and how the camera works. I look on Youtube and search for the Brand and Model and watch all the Videos available.

You Spend a couple hundred Dollars on a very Good Camera?
Do you think the Camera will do things on it’s Own? Really?
It’s Your Camera. It’s Very Capable of taking very Beautiful Pictures. But if you want to Create a Picture that is Worth Hanging on your Wall it IS Your Responsibility to Learn how to control Your Camera.

For an Example here is an Image I had taken a few years ago. Everyone that comes here takes exactly the same picture. Does exactly the same exact thing day in and day out. How am I going to “Create an Image” that people will say “WOW” and ask me if they can but it to Hang on the Wall in their home?

This image was taken by me. All Rights Reserved!
Not to be Used Copied or Edited without explicit Permission!

Half Dome

Halfmoon